Joe and Mary Ann McDonald's

Wildlife Photography

Question of the Month

December 2008-January 2009

What do I mean by the saying,
'Smell the Roses'?|
A Lesson in Patience

We just returned from 9 weeks in Africa, 8 of these occupied by three photo safaris of two or three week durations. In our orientation, we always urge people to stop for every shooting opportunity, and we stress that there is never a rush to get anywhere, that the wildlife will come, and that you'll be most successful if you just go slowly and appreciate everything. In short, we tell folks to just take the time to 'smell the roses' and enjoy every aspect of the experience, whether that's landscape, birds, flowers, antelope, dung beetles, or the big cats.
This year's trips were outstandingly successful because, for the most part, almost everyone did indeed take the time to smell the roses. On two of our three trips that was the rule without exception, and the success those safaris had was just incredible. Unfortunately, on one of the three safaris a few individuals were impatient and did not take the time to appreciate everything, to take the time to 'smell the roses.'
On one occasion, a participant said to his fellow shooters that he was only interested in action, and that person spent most of the morning game drive doing just that. In doing so, the photographer spent only a few minutes at a hyena den with pups - because the pups were only nursing, and only slightly more time with a serval walking through the dawn grass. Had that photographer waited, the photographer may have filmed the hyena pups as they played and wrestled with one another, or clambered over their mother's head, or raced about the den site chasing feathers or tugging on sticks and bones - all activities those more patient filmed at that den that morning. Had the photographer stayed with the serval, a bobcat-sized, beautifully spotted cat that is only rarely seen by day, the photographer would have had a chance to shoot this cat as it performed several incredible leaps in the air as it bound, coyote-like, onto hidden prey rusting in the long grasses before it.
Instead, the photographer was looking for action, but it was there all the time, if one simply let it develop before you! On one of our trips this was so clearly illustrated:
We'd had a great safari, and had photographed virtually everything we could expect to see. We'd seen and photographed crocodiles taking down and feeding upon zebras at a Mara River Crossing, seen a lioness bring down a zebra; witnessed a true war between a clan of hyenas and three lionesses defending their kill, only to be distracted when a rival clan of hyenas tried to horn in on the action; filmed two cheetah hunts; and watched the nerve-wracking spectacle of a male hippo trying to attack a calf, but thwarted by the defensive efforts of its mother.
On this day, however, everyone seemed ready to just meander about and truly 'smell the roses,' filling in photo gaps here and there with shots of rollers, hawks, giraffes, and antelope. My vehicle was doing exactly that - we'd stopped for Kirk's dik-dik, a small antelope that rarely strays out of the thick brush scattered across the Mara grasslands, and we had just finished a ten minute session with a cooperative Thompson's gazelle mother and new born. The baby was only a day old and we followed the pair as the fawn nursed, scampered about, and periodically wove itself beneath its mother's belly. It was to be the highlight of our morning shoot we thought, although it was only 7:30 in the morning, when events suddenly changed.
The antelope pair had wandered off, trotting into a large pocket of open grassland surrounded on three sides by riverine forest. We talked quietly about how neat that shooting encounter had been, and were just about to put our photo equipment down in preparation to driving on when suddenly a cat shot out of the brush and bounded towards the two antelope. I could hardly believe my eyes - and for a second I thought a cheetah had appeared out of nowhere when I realized that I was watching a leopard about to make its kill!
None of us had time to react, and my only shots of the initial encounter was the moment the cat grabbed the fawn - a distant shot with most of the animals obscured. A second later the leopard bounded back into the brush the way it had come, carrying the baby by the neck in a hold that showed it had not killed the fawn. I shot a complete 29 frame, buffered-out motor drive blast of this run, and caught several nice shots. All of us were elated - we'd seen one of the most difficult acts one can witness in nature: a leopard making a kill.
But more was in store. A few seconds later the baby Thompson raced back out into the clearing, with the leopard in close pursuit. It caught the baby immediately and withdrew again into the thicket. A few seconds later it happened again, and we realized that the leopard was actually playing with the fawn, in much the way that a mother cheetah often lets her cubs play with a fawn to teach them how to hunt. But here there were no cubs, just a lone young adult, and she was playing!
The action continued for nearly an hour, and we were able to call in all of our vehicles to witness and photograph this incredible behavior. Not one of our Kenyan guides had ever heard or seen such behavior, and neither has Mary or I, so we're talking of over 120 years of combined safari experience!
Eventually the leopard retreated into the thicket for good, where she climbed a tree and continued to play with the baby. The tree was at the edge of the thicket and we still had views, and after she finally killed the fawn, she climbed back down the tree to feed at its base.
This little anecdote is just one of many, but illustrates the importance of 'smelling the roses,' for one never knows when or where action will occur, and if one races about looking for action you are almost certainly not going to find it! Regardless of where you are shooting, whether that's in the high country of Yellowstone or the plains of East Africa, take the time to enjoy and observe everything, and smell those roses!

Previous Questions of the Month

Digital Questions

What filters do Digital Shooters Still Need?
How difficult is it to master MASKS?


Does the automatic sensor cleaning feature of the Mark III really work?

What is our initial Digital Workflow?
What is our Digital Workflow in the Lab?
 How do I keep track of Digital Files?
Is Shooting in the RAW format worthwhile?
What is the Difference?
How can you capture a sharp image and angel hair on a windy day? 
Can you match the Histograms?
How do we meter White?

 Is the Mark II the ultimate wildlife digital camera?
What is DEC? 
 Wildlife Models - Is there anything new to shoot?

Do You Need a Big Printer?
Can a Wimberley Head be used with small lenses?
 What is Reality? Adobe's powerful LIGHTROOM Program
Why must you have at least 2 digital backups?
 Is Digital Manipulation - a benign alternative to interacting in the natural world?
 Film or Digital? - Why you should shoot film!
 Does the Visibledust cleaning system really work?

Camera Techniques

How do you shoot from a small boat?
Photo Trap - The Pro's Secret Weapon

LensCoat camera, lens, and tripod covers

What Equipment do we usually take afield?
Does the AutoFocus on the EOS 1D Mark III work?
Which Macro Lens is for You?

What is the Most Important thing you can do before a Workshop?
How many Flashes do you need to effectively illuminate hummingbirds?
What is the best shutter speed for panning running mammals?

Is there an easy way to level a camera for panorama shots?
Is the New Wimberley head worth having?
Is an L-Shaped Camera Bracket worth the Money? You bet it is!
Using Zoom lenses with tele-converters and extension tubes -- can you use both together?

Are Image Stabilization Lenses Worth the Money?
What the heck is the Scheimpflug Law?
What is the Best Composition?
Should you have a depth of field Preview button on your camera?

 How do you determine distances?
Hyperfocal Distance
Apertures for Macro


Flash and Tele-flash Techniques
What is the best flash for closeup and macro photography?
What is the most versatile remote release camera firing system?
How do you shoot high-speed action images?
How did I shoot the gliding Sugar Glider?
How did I photograph that flying wasp?
What the heck is a Plamp?


Can Photographing Wildlife Models make Conservation Sense?
Is Kenya safe to visit in 2008?

What I did on my summer 'vacation.'

Why is Yellowstone the best for wildlife photography in the US?
Is a Trip to Antarctica Worth it?
What is the best season to do a photo safari in East Africa?

What is the Big Lie? The truth about Kenya's Tourism--it is SAFE!
Which Mountain Park is better for wildlife - Denali or Torres del Paine?
What are our Five Favorite Shooting Locales?

How can you attract insectivorous birds to your feeding stations and bait sites? 
How do you make things happen in wildlife photography?

What is the best Car Window Mount?
How can you save your shoulders?
How can you reduce contrast and the effect of wind for flower and macro photography?
What is the best Game Caller?
How Easy is Whale Photography?
Why Can't You Feed A Bear?
What is our Favorite bird-shooting location?



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